Thursday 7 March 2013

Tamil Latest Actress

Source(Google.com.pk)
Tamil Latest Actress Biography
Karpaga was born in a middle class family of Erode in western Tamil Nadu, an only child, and left home at 17 for Mumbai. Karpaga worked at a beauty parlour as a beautician after finishing schooling. After returning to her family, five years later, her family was shattered but eventually accepted her.[3][4][edit]Paal
Historically, transsexuals have been shown in poor light in Indian movies.[5] Karpaga acts as an intellectual woman who has difficulty in revealing her identity to her lover.[5] The film stresses on the need for families to accept transsexuals.[5][6]In Hindu mythology, Devayani (Sanskrit: देवयानी, Devayānī) was the daughter of Shukracharya and his wife Jayanti, daughter of Indra.[1] In her early life, she was rejected by Kacha, the son of Brihaspati. Thus Devyani cursed him he will never be able to use his knowledge, in turn Kacha also cursed Devayani that she would not get married to any devas.She later married Yayati, son of Nahusha whom she encountered when the princess Sharmishtha pushed her into a well. Devayani asked Yayati to marry her as he had clasped her hand while lifting her out of the well.[2] Yayati and Devayani had two sons, Yadu and Turvasu.[3] Devayani also means "main goddess" or "mastermind". Devayani is also like beautiful, faithful, trustworthy, kind, and many other wonderful things.The name of Goddess Deivayanai, the wife of Lord Muruga, sounds similar to this name of the daughter of Shukracharya.[edit]Notes^ Pargiter, F.E. (1972). Ancient Indian Historical Tradition, Delhi: Motilal Banarsidass, pp.196, 196ff.^ achari,Chakravarthy(2005). Mahabharata.Bharatiya Vidhya Bhavan. ISBN 81-7276-368-9^ Pargiter, F.E. (1972). Ancient Indian Historical Tradition, Delhi: Motilal Banarsidass, pp.86-7.In 1897, a European exhibitor first screened a selection of silent short films at the Victoria Public Hall in Madras. The films all featured non-fictional subjects; they were mostly photographed records of day-to-day events. In Madras (present-day Chennai), the Electric Theatre was established for the screening of silent films. It was a favourite haunt of the British community in Madras. The theatre was shut down after a few years. This building is now part of a post office complex on Anna Salai (Mount Road). The Lyric Theatre was also built in the Mount Road area. This venue boasted a variety of events, including plays in English, Western classical music concerts, and ballroom dances. Silent films were also screened as an additional attraction.[13] Swamikannu Vincent, an employee of the South Indian Railways in Trichy, purchased a film projector and silent films from the Frenchman Du Pont and set up a business as film exhibitor.[14] He erected tents for screening films. His tent cinema became popular and he travelled all over the state with his mobile unit.[15] In later years, he produced talkies and also built a cinema in Coimbatore.[16]To celebrate the event of King George V's visit in 1909, a grand exhibition was organised in Madras. Its major attraction was the screening of short films accompanied by sound. A British company imported a Crone megaphone, made up of a film projector to which a gramophone with a disc containing prerecorded sound was linked, and both were run in unison, producing picture and sound simultaneously. However, there was no synched dialogue. Raghupathy Venkiah Naidu, a successful photographer, took over the equipment after the exhibition and set up a tent cinema near the Madras High Court.[13] R. Venkiah, flush with funds, built in 1912 a permanent cinema in the Mount Road area named Gaiety Theatre. It was the first in Madras to screen films on a full-time basis. The theatre later closed for commercial developments.[17]Samikannu Vincent, who had built the first cinema of South India in Coimbatore, introduced the concept of "Tent Cinema" in which a tent was erected on a stretch of open land close to a town or village to screen the films. The first of its kind was established in Madras, called "Edison's Grand Cinemamegaphone". This was due to the fact that electric carbons were used for motion picture projectors.[18][edit]InfluencesA scene from the Tamil movie Chandralekha (1948)Tamil cinema has been impacted by many factors, due to which it has become the second largest film industry of India. The main impacts of the early cinema were the cultural influences of the country. The Tamil language was the medium in which many plays and stories were written since the ages as early as the Cholas. They were highly stylized and nature of the spectacle was one which could attract the people. Along with this, music and dance were one of the main entertainment sources.[19]The Bharata Natyam, a classical dance was the oldest performed dance form of India and so impacted the cultural heritage to a very great extent. Usually the kings sitting in the court were seen admiring dancers, and enjoying the music and dance along with the courtiers. These kind of themes were commonly found in the movies. The theory of rasa dating back to ancient Sanskrit drama is believed to be one of the most fundamental features that differentiate Indian cinema.[citation needed]
Along with the music and dance of ancient India, the novels and books written by many authors were used for making the movies and sometimes, the entire story was adopted from the book alone and made into films. The ancient Indian epics of Mahabharata and Ramayana which have exerted a profound influence on the thought and imagination of popular Indian cinema, particularly in its narratives. Examples of this influence include the techniques of a side story, back-story and story within a story. Indian popular films often have plots which branch off into sub-plots which were
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