Source(Google.com.pk)
Tamil Actress Photos Without Dress Biography
Kapadia is known for her assertive and moody nature. During the making of Janbaaz (1986), director Feroz Khan remarked, "No other girl has so much of pent-up aggression."[17] Journalist Bhawana Somaaya, who conducted a series of interviews with her during the 1980s, stated, "She’s a strange bundle of contradictions. Her moods change in a jiffy."[19] According to some critics, this approach has sometimes been at the cost of professional opportunities as "her unpredictable nature and moods have distanced many well wishers". In reply to this, she said, "I am moody by nature. But I have never consciously hurt anyone."[40]
Mahesh Bhatt, with whom she first worked in Kaash (1987), remarked that Kapadia "has gone through so much in her life that she need not read up the text books of method acting to play a real woman."[17] Speaking of her venture into art cinema years later, Bhatt commended her for not turning into "a victim of her own success" by refusing to become "a part of the money-making machine". Mrinal Sen, who directed her in Antareen (1994), compared her to Sophia Loren and described her face as "a landscape of desolation". According to Drishti (1990) director Govind Nihalani, Kapadia is "genuinely interested in doing serious work, something that challenges her talent."[14] Following her success with Rudaali, a 1993 edition of Asiaweek reported that by this time Kapadia had long been "a critic's darling".[78]
Dinesh Raheja from Rediff stated that Kapadia's involvement in art films happened at a time when she "exhausted her appetite for playing the pretty prop in hero-oriented films", arguing that they "honed Dimple's talent for lending fine striations to complex emotions." According to Raheja, Kapadia's casting in Dil Chahta Hai and Leela, in which she played "an older woman who is the object of a younger man's affection" served as "a kind of tribute to her eternal beauty."[6] M.L. Dhawan from The Tribune commented, "All those who have been following Dimple Kapadia’s career from Bobby, Lekin and Rudaali will assert that she is more talented than glamorous."[79] Ranjan Das Gupta calls her "an instinctive actress, spontaneous and intelligent" but he notes that her beauty is "her asset as well as limitation".[80] Kapadia describes herself as "a competent actress yet to deliver her best".[40]debut at the age of 16, playing the title role in Raj Kapoor's teen romance Bobby (1973). In that same year she married Indian actor Rajesh Khanna, and retired from acting. Kapadia returned to the film industry in 1984 after her separation from Khanna. One of her films of that period include the drama Saagar (1985). Both films won her the Filmfare Award for Best Actress.[2]
Regarded as a sex symbol, Kapadia was keen to avoid being stereotyped and expand her range of acting roles.[3] She subsequently took on more serious parts in parallel films and received acclaim for her performances in such films as Kaash (1987), Drishti (1990), Lekin... (1990), and Rudaali (1993), which earned her a National Film Award for Best Actress and a Filmfare Critics Award for Best Actress.[4] She followed with supporting roles in Gardish (1993) and Krantiveer (1994), the latter of which garnered her a fourth Filmfare Award.
Kapadia continued working infrequently through the 1990s and the 2000s. She played a minor part in Dil Chahta Hai (2001) and was noted for her portrayal of the title role in the American production Leela (2002). Some of her later film credits include leading roles in Hum Kaun Hai? (2004), Pyaar Mein Twist (2005), Phir Kabhi (2008) and Tum Milo Toh Sahi (2010), and supporting roles in Being Cyrus (2005), Luck by Chance (2009), Dabangg (2010) and Patiala House (2011).
Kapadia is the mother of Twinkle Khanna and Rinke Khanna, both of whom had worked in films before settling down.
Kapadia once said she had always had aspirations to become an actress when she was a child, calling herself "film-crazy".[5] She was discovered at age 13 by Raj Kapoor, who later introduced her in his 1973 teen romance Bobby. While the film was to be Kapoor's son Rishi Kapoor's first leading role, Kapadia was given the title role of Bobby Braganza, a middle-class Anglo-Indian Christian girl.[6] The story follows how Bobby falls in love with Raj (Rishi), the son of a wealthy businessman, and how the two face the disapproval of their parents. Bobby was a major mainstream and critical success, and Kapadia was lauded for her performance, which won her the Filmfare Award for Best Actress (tied with Jaya Bhaduri for Abhimaan). Several of her lines in the film became popular, particularly, "Mujhse dosti karoge?" ("Will you be my friend?").[6] In 2008, Rediff.com ranked her performance in the film as the fourth-best female debut of all-time in Hindi cinema: "An elfin little girl with big, lovely eyes, nobody quite portrayed innocence as memorably as Dimple in her first outing. She was candid, striking, and a true natural... here was a girl who would redefine glamour and grace, and make it look very, very easy indeed."[7] In later years Kapadia would credit Raj Kapoor for her development as an actress: "the sum total of me today as an actress, whatever I am, is Raj Kapoor."[5]
Following the success of the film, Kapadia's modern wardrobe and hairstyle in Bobby, consisting of "knotted polka-dotted blouse and earphone hairstyle", made her a youth fashion icon of the times.[6] Consequently polka-dotted dresses were often popularly referred to as "Bobby Print". V. S. Srinivasan noted, "the sensuous ingenue with her short skirts and the ill-concealed bosom had quite a few hearts thumping away faster."[8] According to Bhawana Somaaya of The Hindu, with this film Kapadia "started the trend of merchandising film memorabilia".[9] Mukesh Khosla of The Tribune reported that Bobby established her as a "cult figure" as she "dictated fashion trends during the time".[10]
By the time Bobby released, Kapadia had married actor Rajesh Khanna in March 1973 at the age of 16, and left the film industry to raise her children.[6]
[edit]Comeback (1984) and work in the 1980s
After Kapadia's separation from Khanna in 1982, she was keen on returning to acting, which she ultimately did in 1984. She later cited her need to prove to herself her own capabilities.[5] The first film she worked on was Saagar, directed by Ramesh Sippy, after a common friend had notified Sippy about her willingness to come back to movies. She first performed a screen test, which according to her was very unsuccessful as she was extremely nervous and "literally shivering" while making it. To her surprise, Sippy ultimately signed her on to play the lead part opposite her Bobby co-star Rishi Kapoor.[5] Scripted with her in mind, the film was intended to be her comeback vehicle, but its one-year delay meant that several of her proceeding projects would be released before, the first of which was Zakhmi Sher (1984).[11] Saagar eventually premiered in August 1985 and was controversial for several scenes featuring Kapadia, including one scene in which she was seen topless for a split second.[12] The film was a critical success and was eventually chosen as India’s official entry to the Oscars that year. Kapadia's performance as Mona D'Silva, a young woman from Goa who is torn between her friend (Kamal Haasan) and the man she loves (Kapoor), won her a second Best Actress award at the Filmfare Awards. A review by Asiaweek labelled her "a delight".[13] Rediff.com noted, "Dimple, caught between a friend and lover, performed solidly and memorably, grounding the two male leads and making the film work."[2] A 1993 issue of India Today wrote, "Saagar was in many ways a paean to her incredible beauty. She looked ravishing: auburn hair, classical face, deep eyes, an aura of sensuality. It was clear she was back."
Tamil Actress Photos Without Dress Biography
Kapadia is known for her assertive and moody nature. During the making of Janbaaz (1986), director Feroz Khan remarked, "No other girl has so much of pent-up aggression."[17] Journalist Bhawana Somaaya, who conducted a series of interviews with her during the 1980s, stated, "She’s a strange bundle of contradictions. Her moods change in a jiffy."[19] According to some critics, this approach has sometimes been at the cost of professional opportunities as "her unpredictable nature and moods have distanced many well wishers". In reply to this, she said, "I am moody by nature. But I have never consciously hurt anyone."[40]
Mahesh Bhatt, with whom she first worked in Kaash (1987), remarked that Kapadia "has gone through so much in her life that she need not read up the text books of method acting to play a real woman."[17] Speaking of her venture into art cinema years later, Bhatt commended her for not turning into "a victim of her own success" by refusing to become "a part of the money-making machine". Mrinal Sen, who directed her in Antareen (1994), compared her to Sophia Loren and described her face as "a landscape of desolation". According to Drishti (1990) director Govind Nihalani, Kapadia is "genuinely interested in doing serious work, something that challenges her talent."[14] Following her success with Rudaali, a 1993 edition of Asiaweek reported that by this time Kapadia had long been "a critic's darling".[78]
Dinesh Raheja from Rediff stated that Kapadia's involvement in art films happened at a time when she "exhausted her appetite for playing the pretty prop in hero-oriented films", arguing that they "honed Dimple's talent for lending fine striations to complex emotions." According to Raheja, Kapadia's casting in Dil Chahta Hai and Leela, in which she played "an older woman who is the object of a younger man's affection" served as "a kind of tribute to her eternal beauty."[6] M.L. Dhawan from The Tribune commented, "All those who have been following Dimple Kapadia’s career from Bobby, Lekin and Rudaali will assert that she is more talented than glamorous."[79] Ranjan Das Gupta calls her "an instinctive actress, spontaneous and intelligent" but he notes that her beauty is "her asset as well as limitation".[80] Kapadia describes herself as "a competent actress yet to deliver her best".[40]debut at the age of 16, playing the title role in Raj Kapoor's teen romance Bobby (1973). In that same year she married Indian actor Rajesh Khanna, and retired from acting. Kapadia returned to the film industry in 1984 after her separation from Khanna. One of her films of that period include the drama Saagar (1985). Both films won her the Filmfare Award for Best Actress.[2]
Regarded as a sex symbol, Kapadia was keen to avoid being stereotyped and expand her range of acting roles.[3] She subsequently took on more serious parts in parallel films and received acclaim for her performances in such films as Kaash (1987), Drishti (1990), Lekin... (1990), and Rudaali (1993), which earned her a National Film Award for Best Actress and a Filmfare Critics Award for Best Actress.[4] She followed with supporting roles in Gardish (1993) and Krantiveer (1994), the latter of which garnered her a fourth Filmfare Award.
Kapadia continued working infrequently through the 1990s and the 2000s. She played a minor part in Dil Chahta Hai (2001) and was noted for her portrayal of the title role in the American production Leela (2002). Some of her later film credits include leading roles in Hum Kaun Hai? (2004), Pyaar Mein Twist (2005), Phir Kabhi (2008) and Tum Milo Toh Sahi (2010), and supporting roles in Being Cyrus (2005), Luck by Chance (2009), Dabangg (2010) and Patiala House (2011).
Kapadia is the mother of Twinkle Khanna and Rinke Khanna, both of whom had worked in films before settling down.
Kapadia once said she had always had aspirations to become an actress when she was a child, calling herself "film-crazy".[5] She was discovered at age 13 by Raj Kapoor, who later introduced her in his 1973 teen romance Bobby. While the film was to be Kapoor's son Rishi Kapoor's first leading role, Kapadia was given the title role of Bobby Braganza, a middle-class Anglo-Indian Christian girl.[6] The story follows how Bobby falls in love with Raj (Rishi), the son of a wealthy businessman, and how the two face the disapproval of their parents. Bobby was a major mainstream and critical success, and Kapadia was lauded for her performance, which won her the Filmfare Award for Best Actress (tied with Jaya Bhaduri for Abhimaan). Several of her lines in the film became popular, particularly, "Mujhse dosti karoge?" ("Will you be my friend?").[6] In 2008, Rediff.com ranked her performance in the film as the fourth-best female debut of all-time in Hindi cinema: "An elfin little girl with big, lovely eyes, nobody quite portrayed innocence as memorably as Dimple in her first outing. She was candid, striking, and a true natural... here was a girl who would redefine glamour and grace, and make it look very, very easy indeed."[7] In later years Kapadia would credit Raj Kapoor for her development as an actress: "the sum total of me today as an actress, whatever I am, is Raj Kapoor."[5]
Following the success of the film, Kapadia's modern wardrobe and hairstyle in Bobby, consisting of "knotted polka-dotted blouse and earphone hairstyle", made her a youth fashion icon of the times.[6] Consequently polka-dotted dresses were often popularly referred to as "Bobby Print". V. S. Srinivasan noted, "the sensuous ingenue with her short skirts and the ill-concealed bosom had quite a few hearts thumping away faster."[8] According to Bhawana Somaaya of The Hindu, with this film Kapadia "started the trend of merchandising film memorabilia".[9] Mukesh Khosla of The Tribune reported that Bobby established her as a "cult figure" as she "dictated fashion trends during the time".[10]
By the time Bobby released, Kapadia had married actor Rajesh Khanna in March 1973 at the age of 16, and left the film industry to raise her children.[6]
[edit]Comeback (1984) and work in the 1980s
After Kapadia's separation from Khanna in 1982, she was keen on returning to acting, which she ultimately did in 1984. She later cited her need to prove to herself her own capabilities.[5] The first film she worked on was Saagar, directed by Ramesh Sippy, after a common friend had notified Sippy about her willingness to come back to movies. She first performed a screen test, which according to her was very unsuccessful as she was extremely nervous and "literally shivering" while making it. To her surprise, Sippy ultimately signed her on to play the lead part opposite her Bobby co-star Rishi Kapoor.[5] Scripted with her in mind, the film was intended to be her comeback vehicle, but its one-year delay meant that several of her proceeding projects would be released before, the first of which was Zakhmi Sher (1984).[11] Saagar eventually premiered in August 1985 and was controversial for several scenes featuring Kapadia, including one scene in which she was seen topless for a split second.[12] The film was a critical success and was eventually chosen as India’s official entry to the Oscars that year. Kapadia's performance as Mona D'Silva, a young woman from Goa who is torn between her friend (Kamal Haasan) and the man she loves (Kapoor), won her a second Best Actress award at the Filmfare Awards. A review by Asiaweek labelled her "a delight".[13] Rediff.com noted, "Dimple, caught between a friend and lover, performed solidly and memorably, grounding the two male leads and making the film work."[2] A 1993 issue of India Today wrote, "Saagar was in many ways a paean to her incredible beauty. She looked ravishing: auburn hair, classical face, deep eyes, an aura of sensuality. It was clear she was back."
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
Tamil Actress Photos Without Dress
No comments:
Post a Comment