Source(Google.com.pk)
Tamil Actress Asin Biography
When Kapadia made her comeback to movies, she faced constant comparison to her Bobby days. According to Jyotika Virdi, author of the book The cinematic imagination, Kapadia "turned every disadvantage to her advantage." Virdi mentioned Kapadia's forthright manner as having a major contribution to her career: "Speaking candidly to the press, she and the reporters plotted her life's narrative from the innocent teenager snared into an impossible marriage to the emergence of a mature 'woman with experience.'" Virdi also noted Kapadia for "fighting her way to the top, preferring to perform roles she described as serious and exacting rather than flippant and unchallenging," calling her parts in Aitbaar (1985), Kaash (1987) and Drishti (1990) as roles "where she drew from the well of her own experience."[77]
Kapadia is known for her assertive and moody nature. During the making of Janbaaz (1986), director Feroz Khan remarked, "No other girl has so much of pent-up aggression."[17] Journalist Bhawana Somaaya, who conducted a series of interviews with her during the 1980s, stated, "She’s a strange bundle of contradictions. Her moods change in a jiffy."[19] According to some critics, this approach has sometimes been at the cost of professional opportunities as "her unpredictable nature and moods have distanced many well wishers". In reply to this, she said, "I am moody by nature. But I have never consciously hurt anyone."[40]
Mahesh Bhatt, with whom she first worked in Kaash (1987), remarked that Kapadia "has gone through so much in her life that she need not read up the text books of method acting to play a real woman."[17] Speaking of her venture into art cinema years later, Bhatt commended her for not turning into "a victim of her own success" by refusing to become "a part of the money-making machine". Mrinal Sen, who directed her in Antareen (1994), compared her to Sophia Loren and described her face as "a landscape of desolation". According to Drishti (1990) director Govind Nihalani, Kapadia is "genuinely interested in doing serious work, something that challenges her talent."[14] Following her success with Rudaali, a 1993 edition of Asiaweek reported that by this time Kapadia had long been "a critic's darling".[78]
Dinesh Raheja from Rediff stated that Kapadia's involvement in art films happened at a time when she "exhausted her appetite for playing the pretty prop in hero-oriented films", arguing that they "honed Dimple's talent for lending fine striations to complex emotions." According to Raheja, Kapadia's casting in Dil Chahta Hai and Leela, in which she played "an older woman who is the object of a younger man's affection" served as "a kind of tribute to her eternal beauty."[6] M.L. Dhawan from The Tribune commented, "All those who have been following Dimple Kapadia’s career from Bobby, Lekin and Rudaali will assert that she is more talented than glamorous."[79] Ranjan Das Gupta calls her "an instinctive actress, spontaneous and intelligent" but he notes that her beauty is "her asset as well as limitation".[80] Kapadia describes herself as "a competent actress yet to deliver her best".[40]In Kannada, She has acted in many movies with Ravichandran notably Ranadheera (1987), Anjada Gandu, Shanthi Kranthi and Yugapurusha.
[edit]Controversy
In 2005, there was a well-publicized controversy about her remarks in an interview for AIDS awareness, about the need for protected sex. She said it was fine for girls to have pre-marital sex but not without taking precautions to prevent pregnancy and sexually transmitted diseases. Later, she added that no educated man should expect his wife or girlfriend to be a virgin.[2] Two political parties lashed out at her because of her remarks: The Dalit Panthers of India and The Pattali Makkal Katchi.[3] She was ordered to court and her counsel offered to withdraw the previously issued anticipatory bail petition. The judge acceded and dismissed the petition as withdrawn.[3] The Supreme Court dismissed all cases registered against the south Indian film actress and activist for her alleged remarks on pre-marital sex.[4] Kushboo's fans built a temple dedicated to her at Tiruchirapalli, but protesters razed it following her controversial comments in 2005 about pre-marital sex and AIDS.[5] Actress Suhasini Maniratnam her senior co-star and friend stood with her on this issue.
[edit]Political entry
Khusboo made a idly in April 2010 that she would be entering politics soon before the 2011 assembly elections and later joined the DMK, by signing her membership form at the party headquarters in Chennai.[6]
[edit]Personal life
Khushboo, a Muslim, married actor-director Sundar C, a Hindu, and converted to Hinduism after they married.[5] They have two daughters, Avanthika and Ananditha, after whom they have named their production house. She has been living in Chennai for the past twenty years. She also has three brothers who live in Chennai. She is one of the most popular and friendly stars. Kushboo learned classical dance from her co-star and friend, actress Sukanya, a student of Chennai Kalakshetra. Kushboo also mentioned in an interview to Vijay TV that Sukanya used to help with her hairstyles and dialogues for K. Balachander's TV serials. One of her brothers, Abdullah, is expected to make his debut in the movie industry, playing the lead role in the movie Netru pol inru illai.[7]
Tamil Actress Asin Biography
When Kapadia made her comeback to movies, she faced constant comparison to her Bobby days. According to Jyotika Virdi, author of the book The cinematic imagination, Kapadia "turned every disadvantage to her advantage." Virdi mentioned Kapadia's forthright manner as having a major contribution to her career: "Speaking candidly to the press, she and the reporters plotted her life's narrative from the innocent teenager snared into an impossible marriage to the emergence of a mature 'woman with experience.'" Virdi also noted Kapadia for "fighting her way to the top, preferring to perform roles she described as serious and exacting rather than flippant and unchallenging," calling her parts in Aitbaar (1985), Kaash (1987) and Drishti (1990) as roles "where she drew from the well of her own experience."[77]
Kapadia is known for her assertive and moody nature. During the making of Janbaaz (1986), director Feroz Khan remarked, "No other girl has so much of pent-up aggression."[17] Journalist Bhawana Somaaya, who conducted a series of interviews with her during the 1980s, stated, "She’s a strange bundle of contradictions. Her moods change in a jiffy."[19] According to some critics, this approach has sometimes been at the cost of professional opportunities as "her unpredictable nature and moods have distanced many well wishers". In reply to this, she said, "I am moody by nature. But I have never consciously hurt anyone."[40]
Mahesh Bhatt, with whom she first worked in Kaash (1987), remarked that Kapadia "has gone through so much in her life that she need not read up the text books of method acting to play a real woman."[17] Speaking of her venture into art cinema years later, Bhatt commended her for not turning into "a victim of her own success" by refusing to become "a part of the money-making machine". Mrinal Sen, who directed her in Antareen (1994), compared her to Sophia Loren and described her face as "a landscape of desolation". According to Drishti (1990) director Govind Nihalani, Kapadia is "genuinely interested in doing serious work, something that challenges her talent."[14] Following her success with Rudaali, a 1993 edition of Asiaweek reported that by this time Kapadia had long been "a critic's darling".[78]
Dinesh Raheja from Rediff stated that Kapadia's involvement in art films happened at a time when she "exhausted her appetite for playing the pretty prop in hero-oriented films", arguing that they "honed Dimple's talent for lending fine striations to complex emotions." According to Raheja, Kapadia's casting in Dil Chahta Hai and Leela, in which she played "an older woman who is the object of a younger man's affection" served as "a kind of tribute to her eternal beauty."[6] M.L. Dhawan from The Tribune commented, "All those who have been following Dimple Kapadia’s career from Bobby, Lekin and Rudaali will assert that she is more talented than glamorous."[79] Ranjan Das Gupta calls her "an instinctive actress, spontaneous and intelligent" but he notes that her beauty is "her asset as well as limitation".[80] Kapadia describes herself as "a competent actress yet to deliver her best".[40]In Kannada, She has acted in many movies with Ravichandran notably Ranadheera (1987), Anjada Gandu, Shanthi Kranthi and Yugapurusha.
[edit]Controversy
In 2005, there was a well-publicized controversy about her remarks in an interview for AIDS awareness, about the need for protected sex. She said it was fine for girls to have pre-marital sex but not without taking precautions to prevent pregnancy and sexually transmitted diseases. Later, she added that no educated man should expect his wife or girlfriend to be a virgin.[2] Two political parties lashed out at her because of her remarks: The Dalit Panthers of India and The Pattali Makkal Katchi.[3] She was ordered to court and her counsel offered to withdraw the previously issued anticipatory bail petition. The judge acceded and dismissed the petition as withdrawn.[3] The Supreme Court dismissed all cases registered against the south Indian film actress and activist for her alleged remarks on pre-marital sex.[4] Kushboo's fans built a temple dedicated to her at Tiruchirapalli, but protesters razed it following her controversial comments in 2005 about pre-marital sex and AIDS.[5] Actress Suhasini Maniratnam her senior co-star and friend stood with her on this issue.
[edit]Political entry
Khusboo made a idly in April 2010 that she would be entering politics soon before the 2011 assembly elections and later joined the DMK, by signing her membership form at the party headquarters in Chennai.[6]
[edit]Personal life
Khushboo, a Muslim, married actor-director Sundar C, a Hindu, and converted to Hinduism after they married.[5] They have two daughters, Avanthika and Ananditha, after whom they have named their production house. She has been living in Chennai for the past twenty years. She also has three brothers who live in Chennai. She is one of the most popular and friendly stars. Kushboo learned classical dance from her co-star and friend, actress Sukanya, a student of Chennai Kalakshetra. Kushboo also mentioned in an interview to Vijay TV that Sukanya used to help with her hairstyles and dialogues for K. Balachander's TV serials. One of her brothers, Abdullah, is expected to make his debut in the movie industry, playing the lead role in the movie Netru pol inru illai.[7]
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
Tamil Actress Asin
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